视频简介
宋一达（李光洁 饰）行事高调个性张扬，一次偶然中，名叫宋一和（代旭 饰）的小偷偷了他的行李，两人大打出手闹到了警察局才知道，原来他们竟然是有着血缘关系的亲兄弟。原来，宋家有六兄妹，他们在年幼时失散，至今未能团圆，而作为家中的老大，能够集合一家人吃上一顿团圆饭成为了宋一达最强烈的愿望。 宋家兄妹们流落在外，每个人都面临着不同的境遇，老二宋一亚（李健 饰）成为了医生，前途无量、老四宋一梅（何泓姗 饰）想要回归家庭却被养父母所桎梏、老五宋一文（熊俊豪 饰）身患残疾个性孤僻，在宋晓雪（傅晶 饰）的帮助下，宋一达能够完成自己看似不可能完成的愿望吗？。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。
