视频简介
本片以蜘蛛无人机的视角展现了一个爱情故事。在横跨一片中东沙漠的输油管道旁，出现了一个奇怪的蜘蛛形机器人，似乎正在观测着地平线。在世界另一端的美国，无人机操作员和管道安全管理员——戈登，正通过屏幕审视着无人机拍摄的荒凉景观。艾约莎是一个生活在沙漠地区的年轻姑娘，而且被许配给了一个她并不爱的中年男人。戈登此时已经在他不能理解的现实世界中迷失了自我，但他被这个叫艾约莎的姑娘深深吸引了。尽管两人距离遥远，都对未知感到恐惧，交流也不顺利，但戈登愿意尽其所能做任何事情来帮助艾约莎逃离这样的命运。在此过程中，他深深地爱上了她。。讲述不同家庭在隔离期间的经历。由于英国政府现有的管制，该剧也将成为第一部在社交隔离下完成的电视剧，演员都将在自己家中完成拍摄。。Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。