视频简介
这是一个时代的故事，两位市区年轻的小伙子，他们母亲被当局带走后，于是他们开始努力的照料自己，寻求生存之路...。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。因为一场意外，邦尼被迫和儿女分离。穷困的她只能寄居在妹妹家中，靠在公路上替人擦车窗攒钱，希望早日租到属于自己的房子，通过社工审查，好和孩子们团聚。女儿生日在即，妹妹和妹夫也答应了邦尼的请求，允许她们住在车库里。但在一切似乎就要走上正轨时，邦尼目睹了妹夫骚扰外甥女的一幕……。
