视频简介
욕망은 인간을 다른 존재로 만든다 타인의 죽음과 등가교환을 한 성공, 당신의 선택은? 소설에 나오는 살인게임 모티브로 저명한 심리학 교수가 살해당한 사건이 생겼다. 하지만 한 젊은 작가 한준은 눈앞의 성공을 위해 살인범을 은폐시키고 만다 이로 인해 소설의 원작자인 한준은 모방 범죄로 인해 미디어와 여론에 휩쓸려 인기를 얻게 되고 갑작스러운 성공으로 인생이 뒤바뀌게 된다. 한 달 뒤 한준에게 의문의 여인이 살해당한 사진과 함께 한준의 비밀을 알고 있다는 뉘앙스의 협박편지가 택배로 오게 되며, 이에 갈등에 빠진 한준은 그의 성공의 조력자인 젊은 여기자 정현과 함께 범인 추적 가운데서 사진 속 여인을 만나게 되는데...。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。清朝，高丽国使臣进贡了北斗七星珍珠，１２颗被大内总管阿济漳半途夺走，２颗被一巧手裁缝一念之贪下捡去，制成了一件举世无双的“珍珠彩衣”。２０年后，他们的后代蝶衣、明珠、守山、武兴等人之间的爱恨情仇又错综复杂地展开了。。